Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Stained Glass Windows at The Farm Cafe in Portland Oregon Carved and edge-lit glass - Ron Branch at Glasstone Studio in Vancouver, Washington Face etched in glass - Ron Branch at Glasstone Studio in Vancouver, Washington Face etched in glass - Ron Branch at Glasstone Studio in Vancouver, Washington Slumped form by Ray Algren of 'Fireart' in Portland Oregon. Carved fluting by Ron Branch Comissioned stained glass and wire sculpture by Ron Branch Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington

Custom Signage

September 16th, 2010 by Ron Branch

hand beveled mirror at Glasstone StudioThis is a small mirror hand beveled by Micky. The artwork is sandblasted into the back. She also added a touch of color to the lettering.

The mirror is for a new retail shop opening mid-October in Portland called “mag-big” that will feature the work of local artists and designers. There will be clothing, jewelry, household items, and more. We are planning on contributing our work there as well.

(click on the image to enlarge)

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Fun with Glassware

September 3rd, 2010 by Ron Branch

glass art at Glasstone Studio in Vancouver WashingtonI’m just beginning to explore the possibilities. The wineglass is a fantastic canvas to work on – it has a wonderful mobility to it. If the lighting isn’t quite right, the viewer is free to hold it up this way or that. This is not something you can usually do with glass art.

This particular glass was quite a chore. I used regular vinyl, which doesn’t like the curve of the glass much. It’s easier though to use thinner materials for detailed work. (click on the image to enlarge)