Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington Stained Glass Windows at The Farm Cafe in Portland Oregon Carved and edge-lit glass - Ron Branch at Glasstone Studio in Vancouver, Washington Face etched in glass - Ron Branch at Glasstone Studio in Vancouver, Washington Face etched in glass - Ron Branch at Glasstone Studio in Vancouver, Washington Slumped form by Ray Algren of 'Fireart' in Portland Oregon. Carved fluting by Ron Branch Comissioned stained glass and wire sculpture by Ron Branch Etched glass - Ron Branch at Glasstone Studio in Vancouver, Washington

Nine Stage Face

November 1st, 2010 by Ron Branch

a 9 stage sandblasted face etched in glassThe first attempt at Elizabeth Taylor was tiny in size and consisted of what is called “stage blasting”. It was a six stage blast, and because it was so small, that was more than enough to do the job. This next one is larger and is a nine stage blast. The enlargement allowed for more detail, but nine stages were not enough to maintain the softness. The result is an edgier look that in many cases is a fun way to go, but I think for a female face I like a softer look and so, I ‘ll do this one more time with more stages.

(click image to enlarge)